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% Test Lilypond file which attempts to exercise every glyph defined
% in Gonville.
%
% To obtain a list of glyphs tested, process the LilyPond PS output
% through
%
% perl -ne '/%%EndProlog/ and $ok=1; $ok and /\s\/([^\/\s]+)( glyphshow)?\s*$/ and print "$1\n"' | sort | uniq
%
% and compare that against the output of running the .sfd through
%
% perl -ne '/^StartChar: (\S+)$/ and print "$1\n"' | sort | uniq
%
% Putting it together, here's a pre-cooked command that lists the
% glyphs _not_ tested by this file:
%
% comm -13 <(perl -ne '/%%EndProlog/ and $ok=1; $ok and /\s\/([^\/\s]+)( glyphshow)?\s*$/ and print "$1\n"' lilytest.ps | sort | uniq) <(perl -ne '/^StartChar: (\S+)$/ and print "$1\n"' gonville-20.sfd | sort | uniq)
\version "2.10.33"
\layout {
ragged-right = ##t
}
discant = \markup { \musicglyph #"accordion.accDiscant" }
bayanbase = \markup { \musicglyph #"accordion.accBayanbase" }
freebase = \markup { \musicglyph #"accordion.accFreebase" }
oldee = \markup { \musicglyph #"accordion.accOldEE" }
stdbase = \markup { \musicglyph #"accordion.accStdbase" }
dot = \markup {
\musicglyph #"accordion.accDot"
}
acca = \markup {
\combine
\discant
\combine
\raise #0.5 \dot
\combine
\raise #1.5 \dot
\combine
\translate #'(1 . 0) \raise #1.5 \dot
\combine
\translate #'(-1 . 0) \raise #1.5 \dot
\raise #2.5 \dot
}
accb = \markup {
\combine
\freebase
\combine
\raise #0.5 \dot
\raise #1.5 \dot
}
accc = \markup {
\combine
\stdbase
\combine
\translate #'(-0.5 . 0) \raise #0.5 \dot
\combine
\translate #'(+0.5 . 0) \raise #0.5 \dot
\combine
\translate #'(-1.5 . 0) \raise #1.5 \dot
\combine
\translate #'(-0.5 . 0) \raise #1.5 \dot
\combine
\translate #'(+0.5 . 0) \raise #1.5 \dot
\combine
\translate #'(+1.5 . 0) \raise #1.5 \dot
\combine
\translate #'(-1.5 . 0) \raise #2.5 \dot
\combine
\translate #'(-0.5 . 0) \raise #2.5 \dot
\combine
\translate #'(+0.5 . 0) \raise #2.5 \dot
\combine
\translate #'(+1.5 . 0) \raise #2.5 \dot
\combine
\translate #'(-0.5 . 0) \raise #3.5 \dot
\translate #'(+0.5 . 0) \raise #3.5 \dot
}
accd = \markup {
\combine
\bayanbase
\combine
\translate #'(-0.5 . 0) \raise #0.5 \dot
\combine
\translate #'(+0.5 . 0) \raise #0.5 \dot
\combine
\translate #'(-0.5 . 0) \raise #1.5 \dot
\combine
\translate #'(+0.5 . 0) \raise #1.5 \dot
\combine
\translate #'(-0.5 . 0) \raise #2.5 \dot
\translate #'(+0.5 . 0) \raise #2.5 \dot
}
arra = \markup {
\combine
\musicglyph #"arrowheads.close.01"
\combine
\musicglyph #"arrowheads.close.11"
\combine
\musicglyph #"arrowheads.open.0M1"
\musicglyph #"arrowheads.open.1M1"
}
arrb = \markup {
\combine
\musicglyph #"arrowheads.close.01"
\combine
\musicglyph #"arrowheads.open.11"
\combine
\musicglyph #"arrowheads.open.0M1"
\musicglyph #"arrowheads.close.1M1"
}
arrc = \markup {
\combine
\musicglyph #"arrowheads.open.01"
\combine
\musicglyph #"arrowheads.close.11"
\combine
\musicglyph #"arrowheads.close.0M1"
\musicglyph #"arrowheads.open.1M1"
}
arrd = \markup {
\combine
\musicglyph #"arrowheads.open.01"
\combine
\musicglyph #"arrowheads.open.11"
\combine
\musicglyph #"arrowheads.close.0M1"
\musicglyph #"arrowheads.close.1M1"
}
ouroboros = #(make-dynamic-script "ffmfpfrfsfzmmpmrmsmz zpprpspzrrsrzsszzf")
frag = {
\key e \major
e16 fis gis a b4
\set TabStaff.minimumFret = #7
e16 fis gis a b4
\set TabStaff.minimumFret = #0
e16 fis gis a b4
\set TabStaff.minimumFret = #7
e16 fis gis a b4
\set TabStaff.minimumFret = #0
e1
r1*2
}
\book {
\score {
\new ChoirStaff <<
\time 4/4
\new Staff {
\set Score.skipBars = ##t
\clef alto
r1
\time 3/4
fes2^\fermata
f'?4^\trill
\time 15/64
g'8^\shortfermata \noBeam
ais'16 \noBeam
b'32^\verylongfermata \noBeam
c''64\noBeam
\time 1/128
r128
\time 9/1
r\maxima r1^\longfermata
\time 2/2
\clef treble
<< { r1 } \\ { d'4 e' d' e' } >>
<< { r2 r2 } \\ { e''4 f'' e'' f'' } >>
e''8^\espressivo e''8 e''8^\segno e''8
e''8^\coda e''8 e''8^\varcoda e''8
R1*70
\arpeggioUp <g c' e' g' c'' e'' g'' c'''>4 \arpeggio
<d' g'\harmonic>4 \startTrillSpan
a'4 \stopTrillSpan
r4
\repeat volta 3 {
\set Score.repeatCommands = #'((volta "-1,+1"))
a'4 b' c'' d''
\set Score.repeatCommands = #'()
}
\alternative { {e''2 a'} {g'2 e'} }
a'4 \breathe a'
\override BreathingSign #'text = #(make-musicglyph-markup "scripts.rvarcomma") \breathe
a'
\override BreathingSign #'text = #(make-musicglyph-markup "scripts.lcomma") \breathe
a'
a'4
\override BreathingSign #'text = #(make-musicglyph-markup "scripts.lvarcomma") \breathe
a'
\override BreathingSign #'text = #(make-musicglyph-markup "scripts.caesura") \breathe
a' a'
\improvisationOn a'4 a' a' a' \improvisationOff
f''8.\noBeam f''16.\noBeam f''32.\noBeam f''64.\noBeam r128 r64 r8 r2
}
\new GrandStaff <<
\new Staff {
\override MultiMeasureRest #'expand-limit = 20
\clef treble
c''1
r2^\fermata\sustainDown
d''4\sustainUp
\set Staff.pedalSustainStrings = #'("Pe" "d." "-")
r8\sustainDown
r16\sustainUp\sustainDown
r32\sustainUp
r64
r128
r\longa r\breve r1_\ouroboros r2
\once \override Staff.Rest #'style = #'classical
r4 r4 r1^\longfermata
\clef bass
a,8_\lheel a,_\ltoe a,_\staccato a,_\tenuto
a,8_\portato a,_\marcato a,_\marcato aisis,_\staccatissimo
e8^\prallmordent e e^\prallup e
e^\upprall e e^\lineprall eisih
e8^\accent e^\flageolet e^\open e^\reverseturn
e^\stopped e^\thumb e^\trill eih^\turn
R1*70
\arpeggioDown <c, e, g, c e g c'>4 \arpeggio
r4 r2
\repeat volta 3 { a,4^\acca b,^\accb c^\accc d^\accd }
\alternative { {e2 a,} {g2 e} }
e4 e e \stemDown \acciaccatura d8 \stemNeutral e4
e4 e^\arra e e^\arrb
\improvisationOn a2 a \improvisationOff
r1
}
\new Staff {
\override MultiMeasureRest #'expand-limit = 20
\clef bass
c1
c2_\fermata
r4
ges,8_\shortfermata \noBeam
f,16 \noBeam
e,32_\verylongfermata \noBeam
g,64\noBeam
r128
d\breve e\breve f\breve. g1 r1_\longfermata
\clef alto
e'8^\rheel e'^\rtoe e'^\staccato e'^\tenuto
e'8^\portato e'^\flageolet e'^\marcato eeses'^\staccatissimo
e'8^\downbow e'^\upbow e'^\prall e'
e'^\mordent e' e'^\prallprall eeseh'
e'8^\pralldown e' e'^\downprall e'
e'^\upmordent e' e'^\downmordent eeh'
R1*70
<c e g c' e' g' c''>4 \arpeggio
r4 r2
\repeat volta 3 { a4^\oldee b c' d' }
\alternative { {e'2 a} {g2 e} }
a4 a a \acciaccatura d8 a4
a4 a^\arrc a a^\arrd
\improvisationOn c'1 \improvisationOff
f8.\noBeam f16.\noBeam f32.\noBeam f64.\noBeam r128 r64 r8 r2
}
>>
>>
\layout {}
}
\score {
\new StaffGroup <<
\new Staff { \clef "G_8" \frag }
\new TabStaff { \frag }
\new DrumStaff {
\drummode {
bd4 sn8 bd8 r8 bd8 sn16 bd8.
\stemUp cyms8 cyms8 \stemNeutral cyms4 cyms2 cyms1
\stemUp cb8 cb8 \stemNeutral cb4 cb2 cb1
\stemUp hh8 hh8 \stemNeutral hh4 hh2 hh1
\stemUp hhho8 hhho8 \stemNeutral hhho4 hhho2 hhho1
}
}
>>
}
}